{"id":73,"date":"2008-02-13T11:58:32","date_gmt":"2008-02-13T17:58:32","guid":{"rendered":""},"modified":"2017-08-07T15:33:56","modified_gmt":"2017-08-07T20:33:56","slug":"ioc-culture-and-olympic-education-forum-overview-and-definition","status":"publish","type":"post","link":"https:\/\/thesportjournal.org\/article\/ioc-culture-and-olympic-education-forum-overview-and-definition\/","title":{"rendered":"IOC Culture and Olympic Education Forum : Overview and Definition"},"content":{"rendered":"<div class=\"submitted\">Submitted by: Prof. John J. Macaloon<\/div>\n<p>Speaking both as a Coubertin biographer and as a professional cultural anthropologist, my analysis will consist largely of an up-date of what the founder already understood, and understood perhaps better than many of his successors do today.<\/p>\n<p>The hegemonic of &#8220;default&#8221; conception of culture that still dominated Olmypic Lausanne today may be dangerously narrow and seriously out of touch with the &#8220;cultures of \u2018culture'&#8221; dominant or emergent in other sectors and regions of contemporary world affairs.<\/p>\n<p>Coubertin has thoroughly deconstructed the monolithic humanistic understanding of culture as cultivation into several different aspects and formulations. Culture is not only fine arts, but also folk arts, crafts, and music. Culture is language and poetics. Culture is also the logic of social organization, multiple conceptions of life, and systems of belief.<\/p>\n<p>If the IOC Culture and Education Commission, the new IOC Department of Education and Culture, the Olympic Museum, the International Olympic Academy, and all of the other key agencies and sites abandoned their claims to being &#8220;fountains of universal truth&#8221; and instead set themselves the alternative task of becoming communicative centers and laboratories of multi-cultural exploration, where all of the different Olympic cultures assembled to endeavor to articulate to one another, and in their own ways and terms, the multiplicities of cultural understandings and symbolizations of Olympic meanings, then the IOC might have its world cultural relevance back.<\/p>\n","protected":false},"excerpt":{"rendered":"<div class=\"submitted\">Submitted by: Prof. John J. Macaloon<\/div>\n<p>Speaking both as a Coubertin biographer and as a professional cultural anthropologist, my analysis will consist largely of an up-date of what the founder already understood, and understood perhaps better than many of his successors do today.<\/p>\n<p>The hegemonic of &#8220;default&#8221; conception of culture that still dominated Olmypic Lausanne today may be dangerously narrow and seriously out of touch with the &#8220;cultures of \u2018culture'&#8221; dominant or emergent in other sectors and regions of contemporary world affairs.<\/p>\n<p>Coubertin has thoroughly deconstructed the monolithic humanistic understanding of culture as cultivation into several different aspects and formulations. Culture is not only fine arts, but also folk arts, crafts, and music. Culture is language and poetics. Culture is also the logic of social organization, multiple conceptions of life, and systems of belief.<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"jetpack_publicize_message":"","jetpack_is_tweetstorm":false,"jetpack_publicize_feature_enabled":true,"jetpack_social_options":[]},"categories":[299],"tags":[27,8,28,29],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p4btio-1b","jetpack-related-posts":[{"id":245,"url":"https:\/\/thesportjournal.org\/article\/letter-to-the-editor-the-sport-journal-pierre-de-coubertin-arts-administrator\/","url_meta":{"origin":73,"position":0},"title":"Letter to the Editor &#8211; The Sport Journal Pierre de Coubertin, arts administrator","date":"September 8, 2006","format":false,"excerpt":"Submitted by: Raymond T. Grant Ed: During the preparation of this issue of the Sport Journal, we received a piece sent to us by Mr. Raymond Grant, the artistic director of the 2002 Olympic Art Festival, reflecting on the historic and modern cultural aspects of the Olympic Games. Although the\u2026","rel":"","context":"In &quot;Contemporary Sports Issues&quot;","img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":74,"url":"https:\/\/thesportjournal.org\/article\/ioc-culture-and-olympic-education-forum-preface\/","url_meta":{"origin":73,"position":1},"title":"IOC Culture and Olympic Education Forum : Preface","date":"February 13, 2008","format":false,"excerpt":"Submitted by: He Zhenliang It is often said and repeated that Olympism is sport and culture. This is not a simple definition, it is a programme that is constantly developing. The cultural dynamism of the IOC and the Olympic Movement is conveyed periodically at Olympic Games opening and closing ceremonies,\u2026","rel":"","context":"In &quot;Sports Facilities&quot;","img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":69,"url":"https:\/\/thesportjournal.org\/article\/ioc-culture-and-olympic-education-forum-how-do-young-people\/","url_meta":{"origin":73,"position":2},"title":"IOC Culture and Olympic Education Forum : How do young people today see Art and Olympism?","date":"February 13, 2008","format":false,"excerpt":"Submitted by: Prof. Norbert M\u00fcller Since Seoul 1998, our research group at the University of Mainz has examined, inter alia, how the ideas of Coubertin and the Olympic Games are reflected int hee experience of young people. In addition to the philosophical interpretation and educational application of Olympism, art, with\u2026","rel":"","context":"In &quot;Sports History&quot;","img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":116,"url":"https:\/\/thesportjournal.org\/article\/artists-athletes-a-perspective-on-the-2002-olympic-arts-festival\/","url_meta":{"origin":73,"position":3},"title":"Artists &#038; Athletes: A Perspective on the 2002 Olympic Arts Festival","date":"February 14, 2008","format":false,"excerpt":"Submitted by: Raymond T. Grant It is right and proper that cultural programs are a required part of the Olympic Games. History has, to a certain extent, driven the integration of cultural programs into the Olympic Games. And, just as we highlight, in both the Olympic and Paralympic Winter Games,\u2026","rel":"","context":"In &quot;Sports Facilities&quot;","img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":93,"url":"https:\/\/thesportjournal.org\/article\/did-you-know\/","url_meta":{"origin":73,"position":4},"title":"Did You Know?","date":"February 14, 2008","format":false,"excerpt":"Submitted by: Dr. Richard Bell, Ed.D. The Olympic flag was conceived by Pierre de Coubertin. The flag consists of five colored interlocking rings on a white background. The rings are blue, yellow, black, green, and red. After more than a century the flag still maintains its symbolism. At least one\u2026","rel":"","context":"In &quot;Sports History&quot;","img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":158,"url":"https:\/\/thesportjournal.org\/article\/olympic-education\/","url_meta":{"origin":73,"position":5},"title":"Olympic Education","date":"January 6, 2004","format":false,"excerpt":"Submitted by: Dr. Norbert Muller 1 Introduction \"Olympic education\" is a term which first appeared in sports education and Olympic research only in the 1970s (cf, N. MOLLER 1975b). Does \"Olympic education\" mean the revival of the educational ideals of ancient Greece, or is its purpose merely to bring credibility\u2026","rel":"","context":"In &quot;Sports Facilities&quot;","img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]}],"_links":{"self":[{"href":"https:\/\/thesportjournal.org\/wp-json\/wp\/v2\/posts\/73"}],"collection":[{"href":"https:\/\/thesportjournal.org\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/thesportjournal.org\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/thesportjournal.org\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/thesportjournal.org\/wp-json\/wp\/v2\/comments?post=73"}],"version-history":[{"count":2,"href":"https:\/\/thesportjournal.org\/wp-json\/wp\/v2\/posts\/73\/revisions"}],"predecessor-version":[{"id":1288,"href":"https:\/\/thesportjournal.org\/wp-json\/wp\/v2\/posts\/73\/revisions\/1288"}],"wp:attachment":[{"href":"https:\/\/thesportjournal.org\/wp-json\/wp\/v2\/media?parent=73"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/thesportjournal.org\/wp-json\/wp\/v2\/categories?post=73"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/thesportjournal.org\/wp-json\/wp\/v2\/tags?post=73"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}